Map for the Kaleidoscopic Guess Card -postcard

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  • THE KALEIDOSCOPIC GUESS CARD
  • VILLA SOILALA

20140923

The Map for the Kaleidoscopic Guess Card No. 313

313_KGC_Map_SoilaHanninen
Tallinn, Estonia
©Soila Hänninen 2014

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The Map for the Kaleidoscopic Guess Card No. 308

308_KGC_Map_SoilaHanninen
Tallinn, Estonia
©Soila Hänninen 2014

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The Map for the Kaleidoscopic Guess Card No. 305

305_KGC_map_SoilaHanninen

Tallinn, Estonia
©Soila Hänninen 2014

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20131224

The Map for the Kaleidoscopic Guess Card No. 149.

149_KGC_Map_SoilaHanninen
Helsinki, Finland.
©Soila HH 2013

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The Map for the Kaleidoscopic Guess Card No. 84.

84_KGC_Map_SoilaHanninen
Helsinki, Finland.
©Soila HH 2013

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The Map for the Kaleidoscopic Guess Card No. 67.

67_KGC_map_soilahanninen
Amsterdam, The Netherlands.
©Soila HH 2013

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The Map for the Kaleidoscopic Guess Card No. 66.

66_KGC_map_soilahanninen
Amsterdam, The Netherlands
©Soila HH 2013

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The Map for the Kaleidoscopic Guess Card No.20

20_KGC_map_soilahanninen
Helsinki, Finland.
©Soila HH 2013

Lähettänyt SHH No comments:
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Blog Archive

  • ▼  2014 (3)
    • ▼  September (3)
      • The Map for the Kaleidoscopic Guess Card No. 313
      • The Map for the Kaleidoscopic Guess Card No. 308
      • The Map for the Kaleidoscopic Guess Card No. 305
  • ►  2013 (8)
    • ►  December (8)

About Me

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SHH
From the very beginning I have been active in a border terrain of art and design. Experimental design, construction and material experiments are a means of expression, and sometimes they complete the communications of the artwork. Ignores the size, the space or even the function, light has been the starting point for my art and design. I like to think light as a material and the idea of a tangible light is endlessly fachinating. The atmosphere and shapes of my artworks are studies of the light in different structures, materials and forms, but also in photographs. Immateriality of the light captivates. Immateriality is also linked to my environmental and ethical goals as a designer, artist, and in my educational work. One of my favourite set of teaching experimental design is related to patterning surfaces, graphics and minimization of material waste; how to convert from 2-dimensional to 3- dimensional. In my art i have implemented the idea of composability and foldable, with the suitcase packed mobile-sculpture for example. One of my aims is to apply the design criteria to artistic works or vice versa. To provide maybe more playful point of view to the subject matter.
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